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Tales from the Saga

"THE SURFBOARD SHAPERS EXHIBIT AT THE

HUNTINGTON BEACH INTERNATIONAL SURFING MUSEUM:


COMING THIS FALL:
SHAPERS FROM "THE FOAM ERA"



Duke and Ben Aipa, 1967
Ben Aipa's Story


Johnny with his finished Hot Curl surfboard, on display at the Huntington Beach International Surfing Museum

Johnny first board was a paddleboard, a modified Tom Blake type of paddleboard plank and was hollow inside, and it was made by Bill Grays. Bill tongue and groove everything on the board and his work reflected the fine carpentry that was done.

Johnny bought that board from Fred Van Dyke and named it "The Octopus". Johnny second board was made of redwood and balsa, it didn’t have a fiberglass and resin cover, but 5 coats of marine varnish.

JOHNNY RICE AND HIS SURFBOARDS


Rick Stoner, Mike Bright and Sonny Vardeman poised back in the mid 50's. photo Bing Copeland

There was the time when Mike Bright's first glass job on Greg Noll’s first shape happened at Mike's backyard at 19 17th St. Hermosa Beach, next to the Strand. Both were around 13 or 14 years old.

It was foggy all afternoon, the kind that lingers into the night. While Mike poured the resin onto the cloth, ribbons of fog glided by and the moisture beaded on the house windows. Greg was watching with high hopes and Mike was glassing with a sense of urgency, both excited about the moment.

It was all new to Mike, especially the ratio of catalyst to resin and the surrounding temperature. After the first couple of passes and working the resin in. All the green resin slowly dripped off the cloth and onto the red brick patio of his parent’s backyard. Leaving Greg with a tacky fiberglass cloth on his balsa shape.

Starting to absorb the siutation from what happened to being pissed, Greg took his board home. The dripped resin left a perfect outline of Greg's board permanently preserved in Mike's mind and backyard. After that Mike would dodge seeing Greg for the next few weeks.

MIKE BRIGHT COULD PADDLE



Mickey Munoz with a standup paddleboard design

" I probably first stood up on a surfboard in 1947 or 48. I met Ricky Grigg in the 3rd grade and Ricky was just getting into surfing. He was into competitive swiming and I was into competitive swimming and we went to the same grade school".

So Ricky got me into standup surfing. At the time there were only a few people making surfboards. Joe Quigg was making a few boards, Matt Kevlin, and Velzy and it was right at the time when the transition from solid redwood planks that weighed a hundred pounds to balsa.

I don’t recall what surfboard I stood up on, it may have been a lifeguard board, or it may have been one of Ricky’s. I was hanging around the beach bodysurfing, belly boarding, anything, inner tubes, surf mats any things you could catch a wave with. One of the boards back then that were available were called kook boxes and basically they were hollow plywood boards.

The Surf King Junior were 10’ 6” long and the regular lifeguard boards were 12 feet. The Surf King Junior weighed around 65 lbs. and Mickey wasn’t much heavier. To get it down to the water Mickey dragged it through the sand. After getting out of the water he would grab it by the tail and proceeded to move it around to the front and go back to the nose and bring it around, end over end.

Living in Santa Monica Canyon, walking distance to the State Beach Mickey got to know a couple of the lifeguards. They knew how to surf and one of them showed Mickey how to make a fin for his board. So Mickey made a fin out of an apple crate that was made of pine and using dowels connected the fin to the board. This was the beginning of Mickey Munoz’s board building career and his first surfboard. The year was 1948.


Mickey Munoz

Mickey Munoz and Gidget

Mickey Munoz with his 12'6" standup paddleboard
MICKEY MUNOZ SURFBOARDS AND STANDUP PADDLEBOARDS



Mickey Munoz

In 1951 or 52 Joe Quigg and Matt Kevlin went to Hawaii and met Bobby Patterson. Matt was intrigued with Bobby’s surfing and invited him to California. Bobby came over and met Mickey. Mickey invited Bobby to his house and Mickey’s parent said it was alright for Bobby to live with them. Bobby and Mickey got along great. Bobby would move down to San Diego and shape boards in the Pacific Beach and the La Jolla area.


Bobby Patterson

One day while out at WindanSea , Bobby was watching a young surfer. He noticed that the kid had potential but the board that he had wasn't that good. So he paddles over to the kid and slides off his board and says here take my board, you can have it. To a surprised Carl Ekstrom that made his day, all the other kids were envious of Carl for having Bobby Patterson board. Bobby was one of the hottest surfers around and surfers would get out of the water to watch him.


Carl was inspired by Bobby's surfing and shaping and would go on to become a unique shaper/ outstanding designer and a brillant glasser.

VERSATILE SHAPES


Bruce Gabrielson upper right, Huntington Cliffs early 1960

Bruce Gabrielson PhD.
Chairman of:
NATIONAL SURF SCHOOLS & INTRUCTORS ASSOCIATION

The NSSIA is an official non-profit organization dedicated to fostering surf etiquette, water safety, and quality instruction programs through professional instructor development and certification, school accreditation, and educational research.

And a brief history of Bruce THE LITTLE SPARK THAT GREW


Joe Kuala

I asked Joe about his surfing and when he started. It was back in 1957 when he was going to Washington Intermediate School that he took up surfing with his friends. Joe would go surf with Donald Takayama, Raymond Patterson, George “Boogie” Kalama and Jay Manago to name an abbreviated few at Ala Moana. Where the newly built Ala Wai Yacht Harbor was home for many yachts from around the world. Joe enjoyed those days when his friends were the crowd.

JOE KUALA THE ROAD TO PROGRESSIVE EXPRESSIONS IN OLD KOLOA TOWN


Rich Harbour

Rich was in his mid twenty’s when He, Robert August, Mark Martinson, and Dave Nelson were rooming together at Robert’s parents house. Living in Blackie August’s house was an experience in the winter of 68 / 69. With a full moon, a very high tide and a big winter swell knocking on the door steps of the California coast line.

Things got wet and wild. Staying in the front bedroom just behind the living room Rich woke to the sounds of a loud noise. He got out of bed and looked out the window. Through the moisture covered pane Rich could see the foam of the waves splashing on the window. The waves had come up over the beach and was smashing the front of all the homes along the beach

RICH HARBOUR

Bob "The Greek" Bolen


Johnny Rice with a solid piece of redwood, just like the ones that were used to make boards back in the days of the Hot Curl surfboard and before.


measurements

"The Surfboard Shapers"

PART ONE: THE WOODEN YEARS



Clarence Maki surfing Canoes photo N. Osena circa 1950


With 2 frames left in his camera's film roll, Clarence Maki is just about to get out of the water after taking surf photos at Canoes. Hey Clarence; howzit a distinct voice from shore asks. Looking up he see his good friend Duke Kahanamoku whom Clarence has sat along side many a time at the Honolulu City Council meetings. Oh, Hi Duke. Clarence he ask, " Its my birthday today, how about taking a picture of me".

Sure Duke says Clarence as he turned his board around and paddles back out to the lineup. Duke continues to the lineup while Clarence waits in the area where the Duke would be surfing by. Taking off on a wave like he had done many times before at Waikiki, the Duke surfs towards shore. Focusing in on the Duke, Clarence prepares for the window of opportunity and to capture the moment. In a blink of a camera's eye the Duke's legend surfs on. Confident of his one shot, Clarence tells Duke he will have the film developed in a few days. The Duke gives Clarence an appreciative Mahalo and a smile.

The Path of Wood Shavings and Foam Dust

Surfing can be traced back thousands of years and through those years the equipment for riding the wave have changed. Those crafts of wood and reeds provided the means for recreation until the development of the surfboard.

Hawaii is the home of the Surfboard as we know it today. There have been many ancient Hawaiian board builders in the past, but their names and faces will be forever unknown. Until the beginning of the 20th Century surfing remained dormant to the world.

Following the growth of progress, surfing took off to all parts of the globe and surfboard builders contributed to a lifestyle that has influenced generations. In stride with what has happened and where we are at today. A perspective of this history will be shown at the Huntington Beach International Surfing Museum. First will be the board builders from the wooden era of the 20th Century. Then followed by the foam surfboard builders and the varies phases the surfboards went through and concluding with future trends.

Returning back to the early 1900’s Hawaii, there were a few board builders in the Waikiki area whose names are known only by their families. Then there were a couple of board builders whose names would become well known in surfing. Their destinies were shaped by surfing, as well as the many who would follow in their footsteps.

Along this path or branches that developed on a tree, There will be names not known for an era in a particular location. If by chance you do know a board builder of that era and location, you can contact the Huntington Beach International Surfing Museum with the information. Otherwise it will be indicated as an era and location for reference.



The ancient surfboard builders of Hawaii were also canoe builders. Their knowledge on construction was passed on from one generation to the next until only a few craftsmen were left after 100 years since Captain Cook’s arrival. Those few who continued to make surfboards would have been located where the surf was.

The beach at Waikiki would become the location where writers such as Robert Louis Stevenson, Mark Twain, and later Jack London would try to learn the Sport of Kings. Through their experiences, surfing would make its way onto their pages and into the minds of their readers.







There were new sports being promoted at the turn of the Century and surfing was reintroduced among them. This is where we begin the path of the surfboard builders of our sport and recount those who had much to do with where we are today in surfing. The WOODEN SURFBOARD ERA entered the 20th Century weighing the same, pretty heavy. As the story goes, George Freeth's uncle had given him a 16 ft. Olo surfboard. It was so heavy he had a hard time carrying it to the water. He cut it in half and reshaped the nose of the board and contoured the rails to blended it with the outline. Having done so, the process was a building block towards confidence which would helped him in other endeavors.

George would go on to the mainland in 1907 and introduce surfing to the beach areas of Los Angeles. Places like Redondo Beach, Hermosa Beach and Santa Monica. Influencing local beachgoers on the sport of surfing. Some like Lou Martin and Sid Wuilliams would take up the sport and build their own surfboards, making them like George’s since surf shop weren’t around then.

Duke Kahanamoku made his own surfboards after learning from the older surfer/board builders at Waikiki. Surfing and swimming were his passion and with it an opportunity to swim for gold in the 1912 Olympics. He would travel to Australia and introduce surfing and surfboard building there. Leaving his board to a young Claude West who would become one of Australia’s first board builders. Duke would influence many more board builders in the 1920's like Alan Wilcox in Hawaii and Tom Blake, Sam Reid, Fred Alkire, Bill Ehlers, Bud Higgins, and Gene Belshe in California.

Surfing was growing in California during the 1930's and the demand for surfboards was on the rise. There to supply the demand were builders like Preston “Pete” Peterson, Lorrin “Whitey” Harrison, Tule Clark, George Larson, Woody Brown



WOODY BROWN


Hev McClelland, Ray Acosta, Buddy Morrissey, Hammerhead Gravitch, Herb Oelke, Freman de Vincinte, James Drever and others.

Most would have day jobs and build boards during their spare time. Some would make it their livelyhood. Such was the lifestyle of being at the beach, surfing and enjoying the day with friends. Half way around the world in South Africa the same could be said of Fred Crocker building boards there. With fewer surfers the demand were less, but like all surfboard builders their stoke made it worth while.

Around this time places like the East Coast of the US, Australia and New Zealand had board builders but not much is known of them. Others who had the opportunity to travel to Hawaii would soon become aquainted with the sport of surfing. One such person was Carlos Dogny from Peru. He was so impressed with the sport that he tooks some boards back to Peru. Ever since then surfing has become very popular in Peru. There were some board builders in Peru during the 1940's who are unlisted. But going into the 1950's there were Fortunato Quesada Lagarrigue and Ramon Raguz building boards of wood in the Lima area of Peru.


Club Waikiki, Peru 1940's


Joe Quigg, Hawaii 1950's

Southern California with its defense technologies was on the leading edge in advance materials. While other parts of the surfing world will be years behind in materials and techniques since information and availibility of supplies were limited.

The development of fiberglass and resin in the 1940's made a significant difference in the weight of surfboards. Up to that point in time most of the surfboards were either hollow veneer or solid redwood and covered with laquer. Still very heavy and not very maneuverable on the waves.

With a new breed of surfboard builders riding the wave of technology, surfboards became lighter and more maneuverable. While some of the others were in the military during WW2 Simmons began his research using the new materials on surfboards. After the war was over, the shapers at the forefront of using the new materials were Bob Simmons, Joe Quigg, Matt Kevlin, Dave Rocklen, Dale Velzy and Hap Jacobs.

Joe Quigg had a tremendous impact on the development of surfboard designs. In 1946, seeking to have control and performance on a surfboard. He began researching the use of a deep fish like fin on his balsa shaped surfboard. After a few unsuccessful attempts at installing the fin, Joe succeeded in figuring out the process. He would pulled apart the fiberglass cloth and use the strands along the base of the fin, creating a fillet.

Then cover it, the fin and the base area of the fin with fiberglass cloth. The bottom turn opened the door to higher performance. Besides the control, Joe continued to make surfboards lighter. By 1949 his board were called potato chips, then finally Malibu chips or just chips.

Joe built his first wooden dory in 1936 at the age of eleven following a set of plans from Popular Mechanics. With this understanding of rocker, bottom contour and hydrodynamics he would go on and design and construct catamaran hulls, paddleboards and surfboards. Truly one of the great surfboard builders of our time, whose influence changed surfing.



Someone else who would have a major impact on surfing and a great shaper of our lifetime was Dale Velzy. Velzy more than anyone else influenced the next generation of surfboard builders. Having six surf shops when one was the norm and many of those who worked for him would go on and become major board builders of the 1960’s.

Years later in his home in San Clemente Dale would talk about his early days growing up in Hermosa Beach and his journey of being a surfboard shaper.

Living near the beach, it was only a matter of time before Velzy would be surfing and shaping back in the 1930's. Besides surfing Dale enjoyed horseback riding. Riding from Hermosa Beach along the coast to Palos Verdes and stopping at varies vegetable farms that his Japanese friend's family operated. Sometimes he would just go to the surf breaks like Haggerty's or the Cove to watch some of the surfers out in the water. Then ride back home along the empty beaches of Torrance Beach, the Avenues, Knob Hill, and Redondo Beach.

Dropping out of school in the 7th grade, Velvy would hang around the strand and got know the old time surfers. He would surf whenever there were waves. “I just started reshaping planks, reshaping them to where I could ride them; I was a little guy. Just started whacking them down, whacking them down to fit my size. The ones I didn’t like I sold to my buddies. No lights, you didn’t need any of that crap you just go for it”

Then the war came and he would join the Merchant Marines and made trips up to Alaska and Japan. After his Merchant Marine days, Velzy would begin his board building career in Hermosa Beach at his mother's garage. Then moved to Manhatten Beach.



Along side his board building Velzy would supplement his income with Life Guarding. Stationed from Manhatten Beach to hanging out at the Sapphire Lifeguard station with Bob Moore Sr. in Redondo Beach.

Then after his ordeal with the IRS and his divorce, Dale would spend 3 years in Arizona working for his cousin as a cowboy. Returning again to surfboard building in the later part of the 1960's he would open a shop in Costa Mesa. Where he would go over to George Lee’s Taxidermy and shoot bows and arrows and the breeze with George. Both were good archers. George mounted a Broadbill swordfish for Hap Jacobs whom Hap gave to Dale who gave it to his cousin in Arizona.

Another past time of Velzy's was Hot Rods which he enjoyed very much.
Dale Velzy and Mike Eaton



As the years went by Dale Velzy continued to make surfboards and left a legacy of kind heartedness and inspiration for future board builders.


Gordon "Gordie" Duane

In 1950 Gordie was in the Navy and was stationed in Hawaii. It was there that he took up surfing. Someone he knew had a 9’ 6” Quigg surfboard and he used it to learn on. Gordie got stoked on surfing and glued planks of old balsa with a redwood stringer together and used a draw knife to shape the entire board, the year was 1951.

Gordie learned how to shape from Abel Gomes on weekends during his stay in Hawaii. Returning to California in 1955 he started Gordie Surfboards in his parent’s garage in Lynwood. In 1956 Gordie moved his boardbuilding operation to the Huntington Beach Pier. He would stay there until 1959 and would move further north up Pacific Coast Highway.


Chris Hawk and Gordie / Bob "The Greek" Bolen and Gordie

Gordie's story by Steve Boehne


Steve Boehne of Infinity Surfboards

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